An Actor’s Work (Konstantin Stanislavski) – Summary
THEATRE
My glossary of the key terms of the Stanislavsky’s System
Year One: Experiencing
§02. The stage as art and stock-in-trade
§03. Action, « If », « Given Circumstances »
§05. Concentration and Attention
§08. Belief and the Sense of Truth
§11. An Actor’s Adaptations and other Elements, Qualities, Aptitudes and Gifts
§12. Inner Psychological Drives
§13. Inner Psychological Drives in Action
§14. The Actor’s Inner Creative State
§15. The Supertask, Throughaction
§16. The Subconscious and the Actor’s Creative State
Year Two: Physical Embodiment
§17. Transition to Physical Embodiment