An Actor’s Work (Konstantin Stanislavski) – Summary
THEATRE
Year One: Experiencing
- §01. Amateurism (Konstantin Stanislavski, An Actor’s Work)
- §02. The stage as art and stock-in-trade (Konstantin Stanislavski, An Actor’s Work)
- §03. Action, “If”, “Given Circumstances”(Konstantin Stanislavski, An Actor’s Work)
- §04. Imagination (Konstantin Stanislavski, An Actor’s Work)
- §05. Concentration and Attention (Konstantin Stanislavski, An Actor’s Work)
- §06. Muscular release (Konstantin Stanislavski, An Actor’s Work)
- §07. Bits and Tasks (Konstantin Stanislavski, An Actor’s Work)
- §08. Belief and the Sense of Truth (Konstantin Stanislavski, An Actor’s Work)
- §09. Emotion Memory(Konstantin Stanislavski, An Actor’s Work)
- §10. Communication (Konstantin Stanislavski, An Actor’s Work)
- §11. An Actor’s Adaptations and other Elements, Qualities, Aptitudes and Gifts (Konstantin Stanislavski, An Actor’s Work)
- §12. Inner Psychological Drives (Konstantin Stanislavski, An Actor’s Work)
- §13. Inner Psychological Drives in Action (Konstantin Stanislavski, An Actor’s Work)
- §14. The Actor’s Inner Creative State (Konstantin Stanislavski, An Actor’s Work)
- §15. The Supertask, Throughaction (Konstantin Stanislavski, An Actor’s Work)
- §16. The Subconscious and the Actor’s Creative State (Konstantin Stanislavski, An Actor’s Work)